Best Albums of 2012

Here are my favorite albums that were recorded in 2012. What were your favorites?

Brian Free & Assurance - Nothing But Love
Favorite Tracks: I Want to Be That Man, I Will Be Praying, Guard Your Heart, If the Lord Says Do It, It's Quite a Valley
Style: Contemporary, Progressive
Comments: Traditional SoGo fans probably won't like this album, but if you like musical diversity, Nothing But Love is a great project with a great selection of songs.

Legacy Five - Count Your Blessings
Favorite Tracks: Blood Washed Band, I Call You Faithful, It Is No Secret, Heaven Came Down
Style: Southern Gospel, Traditional
Comments: The audio quality on this CD was much better than the quality of L5's last album A Wonderful Life. On another note, although it will probably take long-time fans a while to get over Glenn Dustin's departure, Matt Fouch fits in just fine.

Lefevre Quartet - But For the Cross
Favorite Tracks: But For the Cross, I'm So Saved, The Wedding Song, Put It Right There
Style: Mixed (both progressive and Southern Gospel style songs)
Comments: This CD has something for everybody. I really enjoyed most of the songs, and I think this group deserves more attention.

Mark Trammell Quartet - Lifetime
Favorite Tracks: Guide Me, Oh Thou Great Jehovah, I Sing the Mighty Power, Meet Me Over On the Other Side
Style: Traditional, Southern Gospel
Comments: The huge orchestrations arranged by Lari Goss won me over to this project.


 

CD Review: "But For the Cross" (Lefevre Quartet)

But For the Cross - Sometimes you can tell that a song is going to be good before you even finish listening to the intro. That’s how this song is. It has a beautiful orchestral opening. It’s paced rather nicely I think - not slow enough to be thought of as a ballad, but not fast like a “barn burner.” The song has a great message, and asks the question “where would I be but for the cross?”

Come and See - This song recounts two of Jesus’ miracles. The first verse tells of his raising Jairus’s daughter from the dead and the second of Lazarus’s resurrection. The chorus is sung from first person view (first by the daughter, then by Lazarus obviously), and urges the listener to come and see what Jesus did instead of just taking their word as proof.

I’m So Saved - This song is, I believe, the first radio single from But For the Cross. It’s a fun up-tempo song that should be pretty successful both on the radio and in a concert setting.

The Wedding Song - There are a couple of Southern Gospel “wedding” songs that have been recorded over the years. “Wedding Music,” (Cathedrals and others) and “Here Comes the Bride” (Kingsmen) immediately come to my mind. “The Wedding Song” is a nice addition to the “wedding” song catalog. It’s the best song in this theme that I have heard so far. The music is what brought it to first place in my mind. It has a fast progressive style. 

Put It Right There - This song tells of a drug-addicted guy who comes to his father and confesses his addiction. His dad reaches for the drugs and says:

Put it right there in the palm of my hand, I know it’s gonna hurt but trust me to the end

You will be free and I will be there, together we will stand looking back at what you fear.

I’m reaching out my hand, I’ll do anything I can, put it right there.

The second verse is about Jesus being crucified. The words speculate on what Jesus said as the soldiers picked up the spikes to nail into his hands, and that naturally leads into the chorus. Electric guitars and a banjo create a strong country sound, while the drum track lends a bit of a contemporary feeling.

We Are the Church - This is another fun fast song, rather similar in tone to “Standing On the Daily Promises” and “I’m So Saved” in that it’s not a very “serious” song. It has more of a fun tone than some of the other songs. Also, I love the hymn bridge insertion of “The Solid Rock.” Some people may not care to hear “mini-hymns” put right in the middle of new songs, but I like them!

Saved By the Blood - The Old Paths Quartet recorded this previously on Wonderful Life. (2010) This version is better, in my opinion.

The Blessed Hope  - This song provides to the listener some relief from the fast tempo that dominates most of the CD. It’s not a stand-out song, but it’s not bad either.

I’ll Let You Lead Me - This is a fun, brassy,  mid-tempo number led by Paul Harkey. I think it sounds like a song that Ernie Haase & Signature Sound would do, at least stylistically.

Standing On the Daily Promises - I think this song will get overlooked. It’s a shame too, because it’s really a good fun song. It just doesn’t stand as tall as “Put It Right There” or “I’m So Saved.”

Comments:

I was expecting good things from this album ever since hearing several songs on Spotify. I got a little nervous the day my copy arrived, thinking “can this really be as good as I’m hoping?” I was not disappointed!

If there was a singular element that “made” this album, I’d say it would have to be the music. The album actually credits three producers, Tre’ Corley, Paul Corley, and Rick Sandidge. The orchestration was second to none as well as all the other instrumental elements.

Along with the great soundtrack, the group had a great song selection. The Lefevre Quartet isn’t a name that’s as widely known as say Legacy Five or the Gaithers, but I think they deserve a lot more attention, especially if they keep producing albums that are as good as this one was. 

 

But For the Cross is a five-star album deserving of a place in any Gospel music fan’s CD player.

CD Rating: 5/5 stars

Average Song Rating: 4/5 stars

Favorite Songs: “But For the Cross,” “The Wedding Song,” “We Are the Church,” “Put It Right There”

Review copy provided by Activate Records

CD Review: Mark Trammell Quartet "Lifetime"

Ever since reading the positive reviews of MTQ’s latest project, Lifetime, and since watching a video of the first song on the album, “Guide Me,  Oh Thou Great Jehovah” sung by the group at NQC, I’ve been anxious to hear the whole thing for myself. It’s as good and better than I expected it to be!

I’ve only heard one CD from the MTQ since they added their bass singer, Pat Barker, and became a quartet. Their first album, Testimony, was, in my opinion, okay but not great. There were some good songs on the CD, but it didn’t “grab me” like other projects have. I feel that Lifetime is just the opposite.

The project starts out with the old hymn “Guide Me, Oh Thou Great Jehovah.” Lari Goss, who produced Lifetime with Mark Trammell, pulled out all the stops for the orchestration in this song. Stylistically, it reminded me of Greater Vision’s Hymns of the Ages CD. The music fits the song very well giving a grand and majestic feeling. “I Sing the Mighty Power” has the same feeling, and I think it’s even better than “Guide Me, Oh Thou Great Jehovah.”

“Way Past Ready” is the second fast song on the CD. Penned by Rodney Griffin, it’s a jazzy and upbeat number led by Mark Trammell. Pat Barker takes the lead on “Wonderful Time Up There.” While they modernized the song a little bit by including a jazzy brass section, the song is still set in a Southern Gospel feel. “Meet Me Over on the Other Side” sounds more like classic Southern Gospel than any other song on the album. No one person is featured on the verses or on the chorus. The whole group blends their voices together to achieve classic quartet harmony.

Most of the slow songs are huge with beautiful orchestration backing up the group. “Golden City Tour Medley” is one of the stand-out ballads. It may be a little odd to hear “Touring That City” sung at such a slow pace, but it’s definitely a great version of the old Inspirations classic. “Too Much to Gain to Lose” is a song that I’ve never cared much for in the past. But on this CD, it’s one of my favorite power ballads! “The King is Coming Medley” includes the old Gaither classic, as well as another Gaither-penned song, the well-known “I’m Free.” “Tis So Sweet to Trust In Jesus” was pretty calm and quiet in comparison with the other ballads on Lifetime. It was paced a little too slowly for me, but when I concentrated on the words, it was very pretty.

I really enjoyed Lifetime. It was a great decision to have Lari Goss in charge of orchestration and in the role of producer. He did a tremendous job as always. I probably enjoy his orchestrations more than any other person’s with perhaps the exception of Don Marsh who does a tremendous job as well. I can easily see why this album was so popular on some of the other blogs. It’s good to see that people still enjoy this style of music. I certainly do. The MTQ created something wonderful here. Lifetime will be going on my end-of-the-year “Best Albums of 2012” list!

CD Rating: 5/5 stars
Average Song Rating: 4-4.5/5 stars
Favorite Songs: Guide Me, Oh Thou Great Jehovah, I Sing the Mighty Power, Wonderful Time Up There, Too Much to Gain to Lose

Review copy not provided

Produced by:
Lari Goss, Mark Trammell
Released By:
Daywind Records
Available for Download? No
Artist Website: http://www.marktrammellministries.com

CD Review: Perrys "Through the Night"

I Got a Hold of God This Morning - This is a great up-tempo number to start the album with. Penned by Kyla Rowland, it has a progressive edge, but it doesn’t stray too far from the fast Southern Gospel feeling. With the choice of instruments and electric guitars, it kind of reminds me of songs like “Dying Is a Day” and “This Old Sinner Testifies.”

Whosoever Will - This is a beautiful ballad that tells the story of a girl who runs away at 17 from a bad home. The second verse tells of a man who lived selfishly for 80 years, but as he neared his final days, he had a greater need than material possessions. The group really puts some energy and feeling into the bridge which sounds awesome! This song reminds me a lot of Ernie Haase & Signature Sound’s “You Are Welcome Here.”

Everywhere I Go - This song is not new to the Southern Gospel scene. The Browns recorded it on their album Now. The Liberty Quartet sang it as well as other groups too I’m sure. I think the song is pitched too low here, especially at the beginning. Libbi Stuffle helps bring it up a bit when she joins the others after the second verse.

Through the Night - The title song of this album, “Through the Night” is another beautiful ballad. It definitely fits in the “power ballad” category. The song talks about praising God “through the night, while this trial perseveres.” It’s a great testimony song to walking with God even when things are tough.

He Is Good to Me - This up-tempo tune was written by Wayne Haun and the Perry’s own Joseph Habedank . My favorite part is the verses. They have an interesting tune that’s fun to listen to.

Too Good to Not Be True - This song tells the story of the woman at the well. It offers a unique perspective that I’ve never really heard before. The first verse tells the story from her point of view and says that she tries to tell Jesus that he’s not supposed to talk to her, but he won’t give up. What a beautiful picture of God not giving up on us! This is a rather, quiet pretty song that may leave you thinking afterward.

The Blood and Its Power - This song has an interesting piano feature in the intro. It has almost a classical touch that doesn’t seem to quite fit with the rest of the song which is a medium tempo country-flavored tune. While I sometimes don’t enjoy medium-paced country-infused songs like this, I really enjoy this one. The tune and the words, as well as the unique intro combine to make a great song. I think part of the second verse is worth repeating, “It’s been removed [the blood] from many places, or watered down, but here’s a truth. It is how the lost are found.” Amen! :)

One of These Mornings - This is a great pick for the last up-tempo number. It starts big and doesn’t let up until the end where it goes out with a bang. For their last three albums, the Perrys have had at least one song, having a similar feel to this one, that had to do with Heaven, Death, or the Rapture. (“Dying Is a Day,” “Blue Skies Coming,” “One of These Mornings”) They’ve all made for great songs. This theme, as well as the style, works well for them.

Unspoken Request - This is a very unique song. Rather than try to explain it, I’ll just let you read the chorus:

“I was somebody’s unspoken request, the reason for their tears and pain. The saints joined together to lift me in prayer without even knowing my name. Laid on the altar and given to God, trusting the Father knows best. I stand here redeemed and an answer from Heaven, to someone’s unspoken request.”

When He Spoke - The first verse of this song pictures Mary as she meets Jesus for the first time after he had risen from the grave. This is the third and final power ballad on Through the Night. It’s another excellent slow song.

Comments:
Many groups have recorded projects that are good, even excellent. Some have even recorded several albums that are outstanding. But fewer groups have recorded at least three outstanding albums in a row. The Perrys are one of the few groups that have. The majority of the songs on at least their last four albums (Through the Night, Blue Skies Coming, Almost Morning) are not at all second rate! From song selection, to the musical styles they utilize, the Perrys continue to record excellent music. Through the Night is a wonderful addition to their already impressive catalog.

I think part of the reason I enjoy listening to the Perrys so much is largely due to the rich orchestrations many of their ballads, and even some of their up-tempo numbers (“I Know It Was the Blood,” “Blue Skies Coming”) hold. They also record mostly new songs from some of Southern Gospel’s top song writers. For example, on this album, I believe every single song with the exception of “Everywhere I Go” was a brand new song, never before sung by any group.

Through the Night is one of the best albums I’ve heard this year. I whole-heartedly recommend that you pick up a copy of this project as soon as you can!

CD Rating: 5 stars
Average Song Rating: 4 stars
Favorite Songs: “Whosoever Will,” “Through the Night,” “The Blood and Its Power,” “One of These Mornings”
Music Styles: Progressive Southern Gospel, Power Ballad

Produced by: Dottie Leonard Miller and Wayne Haun

Review copy not provided

CD Review: Tribute Quartet "Our Anthem"

God’s Gonna Send a Revival - Tribute starts out the album singing an accapella version of the classic hymn “Revive Us Again.” After about 23 seconds, the music kicks in, and the group launches into the upbeat title song, “God’s Gonna Send A Revival.” Instrumentally, the song bears several similarities to the song “I’ve Been Blessed” on Tribute’s 2009 release For This Time. This song is a lot faster though.

Thank the Lord - The tone of this song is a little softer, although the tempo is still pretty fast. I enjoyed the choice of instruments that were used. The strings provided a nice touch, keeping the song from being too jazzy, while preserving the quicker pace.

Good News From Jerusalem - This song received high praise from Daniel Mount on the Southern Gospel Blog. He felt that this is the song that Tribute needs to get people’s attention. It is an excellent track, although I don’t think I enjoyed it quite as much as he did. Stylistically, it reminds me of songs like “He’s Alive” by the Gaither Vocal Band or “ Worth of It All” by the Browns.

Homesick Angel - The concept of this song is rather interesting. It pictures our guardian angels being homesick for Heaven, and when we die we’ll sail away on their wings to “the master’s table,” and they’ll finally get to go home. The Daryl Williams Trio sang this several years ago on their 2007 release, Marching, which was also released on the Sonlite Records label. I’ve always enjoyed hearing this song, and hearing Tribute cover it was a nice surprise.

Leavin’ On My Mind - I know this is a pretty well-known Southern Gospel classic, but I believe this is the first time I’ve actually heard it. I have to be in the right mood to enjoy it as it’s a little slow and quiet for my tastes.

The Time Is Now - This song has an intro, part of which, is similar to Ernie Haase & Signature Sound’s song "I’ve Been Here Before." I say that to let you know the sound of the song. The styles are pretty similar. Basically, the message here is that there are lost people, and the time to go share the gospel with them is right now

With Just a Little - You know the kids song “God Makes a Lot of a Little”? Well, this is the Southern Gospel equivalent of that song. I don’t feel that this will be one of Tribute’s more popular songs. It’s about average as far as fast songs go, and they’ve done better. I do enjoy hearing the banjo and some of the other instruments that are featured though.

Through Me, the Cross Lives On - This is the only power ballad on this album. I think the project would have benefited from at least a couple more. As far as the music and the song itself goes, this track is great. But it’s basically a solo by Josh Singletary. It would have been a lot better with all the guys singing together more.

It Always Get the Darkest (Just Before Daylight) - This is another great up-tempo song, just as good as “God’s Gonna Send a Revival” or “Thank the Lord.” But I have to wonder what it would have sounded like as a big brassy number, like some of the songs that Brian Free & Assurance have. It’s definitely a great song as it is, but I just wonder if it could have been even better.

Better Farther On - Very slow, very quiet song. I hear piano, light drums, and acoustic guitar. I think it’s a nice song, but I could see a lot of people not particularly caring for it. I like it myself.

Comments:
I feel that the Tribute Quartet needs a stronger song selection for future albums. “Homecoming Day” was the main feature of their last album, The Waiting Is Over. This album provided a few standout songs, mainly “Good News From Jerusalem.” But it seems that albums like For This Time (2009) and Anticipation (2007) had songs that did better than some of the more recent ones. I don’t think people are going to say “wow, this song is totally amazing!” for most of the tracks. Still though, it’s a good CD and has a lot of up-tempo numbers that are fun to listen to. I’ll be looking forward to seeing what Tribute does next year.

CD Rating: 4 stars
Favorite Songs: “God’s Gonna Send a Revival,” “Thank the Lord,” “Good News From Jerusalem”
Main Styles: Southern Gospel

Review copy provided by Crossroads Records

CD Review: Canton Junction Debut Project

Note: As this is a two-disc project with 20 tracks in all, I decided not to review every song. A song list is included near the end of the post.

I Wouldn’t Take Nothing For My Journey Now - Yes, longtime SoGo fans are going to instantly recognize this Happy Goodman classic from days gone by. Big fans who know and listen to all the smaller gospel groups whose name wouldn’t sound familiar to a casual listener will probably remember that the LeFevre Quartet and the Perrys recorded it more recently. And now…Canton Junction. I’m going to use a term that I don’t use very often, but think is appropriate to describe the music. It rocks. I’m sure the piano was smoking by the time the song was done. Of course, we can’t forget about the guitars that lend a heavier sound to the song. Even the drum track shouldn’t be overlooked, especially on the chorus where it kicks into high gear.

Heaven Is - If I had to summarize this song in one sentence, I would probably say "country meets praise and worship." There are different aspects from each style infused into this song. It actually makes for a really interesting - and really good - song. It's not super fast, but it's not real slow either. It's definitely one of my favorite upper-tempo songs.

Who Am I - My biggest (and only) complaint about this song is that the tempo is undeniably, completely and without question way too slow. I don’t think the group should be singing along at 70 MPH because it’s not that kind of song. But it still is extremely slow which is a shame because otherwise, it’s a great song. The music starts out with a bluesy feeling, and turns into something more like a ballad near the end. Some great singing on the part of the group members, I must say.

Go Tell It On the Mountain - Yes, I know it’s not Christmas time. And hey, don’t try to deny it, when you saw the title, you thought something to the effect of “a Christmas song? Well, that’s different.” I was surprised to hear it. It sounded out of place. But it’s a great song, even if it’s coming a little early. I think it comes closer than any other version I’ve heard to satisfying my musical tastes. And I gotta say, I love the part at the end of the second verse where the whole group comes in to echo “that blessed Christmas morn.” That wasn’t the only time during the CD where I thought, “hey, they sound like the Gaither Vocal Band!”

Coming Home - This song is about completely the opposite of the last. It's very calm and peaceful. I personally like the chorus the best. A find that in a lot of songs, the chorus sticks out to me because of mainly the tune. This is one of those songs. The music has a bit of a lonely feeling. It sort of sounds like what you might hear in a movie. In a scene where the protagonist is out in the desert all alone contemplating life or resigning himself to the fact that he's hopelessly lost and is going to die. :D Sorry, that's the best I can do to describe the tone.

Softly and Tenderly - OK, I know a couple song reviews back I said that the group sounded like the GVB. Well, on this track I’m picking up Ernie Haase & Signature Sound. Not sure if anybody else heard these similarities or not. And yes, I know Tim Duncan used to be with EH&SS, but it’s not just him. This is a very soft, pretty song. I don’t think I’ve ever heard a gospel group sing this although I’m sure they have. It’s a nice change of pace from some of the faster upbeat tracks, though I enjoyed those immensely. Of course, this is a classic song for altar services and evangelistic pleas, so it’s a different tone from former said songs.

Disc 2:

Sweeter As the Days Go By - Many of my readers have probably already seen the video of this song. The song was recorded live so what you hear on the video is what you hear on the CD. Go see what you think. I loved hearing Tim Duncan take the second verse. Oh, and then whichever guy took off at the chorus probably deserves an accolade or two. :D The crowd just loved them!

What a Wonderful World - This song isn’t exactly Christian. It’s a secular song in that it never mentions God or Jesus or Heaven or anything religious. It just talks about different good things about the world. The tune is good, it’s an OK song.

Glorify - Three words to describe this song? Wow. Totally awesome. This could very well be the best slow song on this project, counting both CDs. I could see someone saying that it's too repetitive, especially on the chorus, but I don't mind that so much. It's a great tune, and the background music makes the song sound really good, particularly near the end.

Dig A Little Deeper - I don’t believe I’ve ever heard this song non-accapella style - or in other words without a soundtrack or background instruments - until now. I don’t like this song as well as some of the others that the group did. The chorus is good, but in my opinion, I think the guys need to calm down a little on the verse.

Since Jesus Came Into My Heart - This is another one of my favorite hymns to hear. It has a country flavor here. Nobody gets a solo on either verse. Pretty basic arrangement, and they go for an encore at the end. Not a particularly outstanding track, but good nonetheless.

Hold On - I could definitely see the Gaither Vocal Band doing this song pretty much exactly like Canton Junction. There is a lot of similarities between the groups here too. I don’t really care for this song. I think "Sweeter As the Days Go By" is definitely the best fast song on Disc 2.

Comments:
This CD is definitely a great start for Canton Junction. They seem to have taken on a country feel infused with a couple other genres such as blues, praise and worship, and western as their main style. It makes a very interesting CD. I would recommend this project pretty highly to those of you who are searching for some new music to add to your collection.

CD Rating: 4 stars
Favorite Songs: “Heaven Is,” “Glorify,” “I Wouldn’t Take Nothing For My Journey Now”
Main Styles: Mainly country

Song List: Disc 1: I Wouldn’t Take Nothing For My Journey Now, Show Me Your Way, Heaven Is, The Son Shines Down On Me, Who Am I, Go Tell It On the Mountain, Coming Home, Softly and Tenderly, The Inviting Christ, My Saviour’s Love Disc 2: Sweeter As the Days Go By, You Are So Beautiful, What a Wonderful World, Glorify, Dig a Little Deeper, Going Home, Since Jesus Came Into My Heart, In the Valley He Restoreth My Soul, Hold On, Smile

Review copy provided by Difference Media

Concert Review: Brian Free & Assurance, the Perrys, and Jason Crabb

A couple Saturday's ago, I was able to attend an outdoor concert where the Perrys, Brian Free and Assurance, and Jason Crabb were all featured artists. It was an awesome night,  especially since I went with several people from my church and a friend from way out in New Mexico. The concert was held at the Bill Monroe Music Park in Bean Blossom, IN.

Perrys - The Perrys were the hosts for the event, and they sang first. They started out with "Every Time I Need Him," which is fun to hear both live and on a CD. Here's a list of some of the songs they sang:

• Every Time I Need Him
• His Love Lights the Way
• Great Is Thy Faithfulness
• I Know It Was the Blood
• The Holy Hills of Heaven
• He Will Hide Me
• Blue Skies Coming (?)
• Precious Jesus, Hold My Hand

Unfortunately, I can't think of the rest of the songs. I forgot to take paper to take notes. :) I was impressed though with the good spirit that was there during several of the Perry's songs.

Brian Free & Assurance - Brian Free & Assurance put on the best performance of the night in my opinion. They're an all-male quartet, which I think gives them an edge over other performers, plus they have a lot of upbeat songs that are really fun to listen to. Here's a list of the songs that I can remember. :)

• First Day In Heaven
• Go Tell the World
• You Must Have Met Him
• The Part Where You Come In
• Guard Your Heart
• Long As I Got King Jesus
• I Want to Be That Man
• Just a Little Talk With Jesus

There were others but I can't remember them all. ;)

I've never cared that much for BF&A in the past, but seeing them live and buying their new CD really improved my opinion of them. They're one of my favorite male quartets now. I think Jeremy Lile is one of the best bass singers in Gospel music. And of course everybody knows what Brian Free can do. The group sounds really good together right now, and I hope none of the current members leave anytime soon. :)

Jason Crabb - I know that Jason Crabb is a very popular soloist right now. I believe he won an award for being the best singer in all of Gospel music. I found it amusing that during intermission, the line for his table was very long, stretching well out of the shelter house, while the lines for the other tables (Singing News, BF&A, Perrys, and a local radio station, WYGS) were comparatively teensy.

With that being said, I have to say that I don't care for his style of music. I like him as a person (I haven't met him, but he was funny and has a cool personality), but I don't like his music or performance, one reason being that the style of music he does isn't really Southern Gospel, but more country gospel or contemporary Christian. Another reason is that I don't usually like soloists as well as groups.

On a sidenote, the live band gave him more flexibility than he would have had if he had just used soundtracks, but the music wasn't as complex. (the music consisted of drums, bass, keyboard [either piano or organ], and, on some songs, his guitar)


Comments:
Anyway, it was a great night. I bought BF&A's new CD, Nothing But Love, which I got autographed by all the guys in the group! :)

The winner of the talent search sang after intermission. It was a male soloist who sang a fast song that I didn't like, and then sang "These Are They" which was good. I think he won $500.

The next concert that I may get to attend (still unsure) is Saturday night of NQC! I'm very excited about this as I have never been to NQC before. They have a great lineup of artists on Saturday night. (Collingsworth Family, Kingdom Heirs, Kingsmen, ect.) Perhaps I'll see some of my readers there. ;)

Did You Support Chick-Fil-A Yesterday?

Yesterday was amazing. Thousands of people across the country swamped their local Chick-Fil-A locations, some waiting for hours to get in, and others driving long distances so they could eat at the nearest location. Our local Chick-Fil-A, which is about 20-25 minutes from our house was packed when we arrived at lunch time. By the time we left, the crowd inside had started to subside, but the line for the drive through had not slowed. I heard reports later that they were busy throughout the rest of the day.

My aunt attends the Bible Methodist Church in Burlington, KY. They had a 15 minute service, and then went out to eat. :) My church bought chicken sandwiches for the kids at our Vacation Bible School that night.

This should be a message to Chick-Fil-A and the rest of the world. You don't have to give in to the demands of liberal homosexual activists to run a successful business. Just stand up for righteousness and God will bless you.

Greenwood, IN location

We should pray for Chick-Fil-A and the leaders though, as tomorrow gays will gather to kiss each other. I found it amusing though that there were 55 times more people at Appreciation Day then there are expected to be at "Kiss-In" tomorrow. (based on the Facebook invite list) Also keep praying that the leaders will not give in to the gay movement. I heard that one location is donating sandwiches to a gay pride parade. One manager seemed to be trying to distance himself from the company president's comments. He said that the kiss-in should be fun! Also I was a little disappointed in the statement released on Facebook. It said that Chick-Fil-A was going to leave the marriage debate to the political arena. It seemed like a copout to me. I just hope the leaders will continue to stand up for what is right...and remember the record breaking sales they enjoyed yesterday.

Website Redesign and Other Changes

Well, as you've probably noticed, the Gospel Review Blog has received a completely new look. As well as a new template, there are several other changes that have been made as well. Here are the biggest changes that we've made to the blog:

• A new logo
• Slideshow
• Inserting jump breaks into long posts so that you have to click to read more.

I really want to know what everybody thinks, so please take a moment to either leave a comment (which is a lot easier to do now thanks to the updated commenting system) or if you don't have that much time, just vote in the poll at the top. Seriously, this is helpful to me to know how you're liking the new design, and it only takes you about 5 seconds. (if even that!) You don't have to leave your name or anything, it's completely anonymous, just select your choice and push "Vote". You don't leave the page or anything.

New Look and Changes

I'm experimenting with some different templates, trying to find a new look for the Gospel Review Blog. I realize that it's far from perfect, so please please patient as I work through some of the kinks. Please comment and let me know if you have any questions or suggestions, and make sure you vote in the poll in the sidebar. I'll be working on a logo to put at the top of the page as well.

Thanks. :)

CD Review: Brian Free & Assurance "Nothing But Love"

Nothing But Love - Fun and upbeat, this song speaks of the singer feeling love and grace when he thinks of the sins he has committed and how God forgave him. The organ adds a nice touch to a great beat and a nice brassy sound. 5 stars

It’s Quite a Valley - “It’s quite a valley, but nothing he won’t bring you through.” Written by Lee Black and Kenna Turner West, this song is pure awesomeness. :) It fits better into the contemporary christian category than Southern Gospel. It would be a great song for radio. 5 stars

If the Lord Says Do It - This is one of those fast, hard-driving songs that doesn’t let up until the very end. It reminds me a little of “I’m a Brand New Man” by the Kingdom Heirs. Jeremy Lile takes both verses, making the song even better. He’s a very talented singer, one of my favorite bass singers I think. 4.5 stars

CD Review: "Right Now" (Old Paths Quartet)

Battle Stand - Love the choice of instruments, particularly the banjo and drums. Not as fast as some of the others, but nearly as good. 5 stars

He's My Song - This is a very slow and peaceful song. I love the first part of the chorus that goes "He's my song, when I don't feel like singing." (words in italics indicate the rest of the group joining the soloist) 4.5 stars

Woke Up This Morning - Very fast and fun, great harmony, very smooth. The Old Paths have a talented bass singer. This song should bring down the house in a concert setting. 5 stars

Everlasting Yes - This is a good song, but I just wonder what it would sound like with a big orchestra. It could get a little draggy if you're not in the right mood. 4.5-5 stars

CD Review: Greg Howlett "Portraits of Hope"

Song Reviews:
“To God Be the Glory” starts the project out relatively fast, though it does slow down once in a while to highlight the piano.  Greg plays some fancy runs, but for the majority of the song stays relatively simple.  One feature of this song, that doesn’t appear on every track, is a choir that accompanies the instrumentation through parts of the hymn.

“The Savior Is Waiting” is a thoughtful, slow song.  The orchestration isn’t hugely complex.  Soft strings and violins are the main accompaniment.  The piano part isn’t that complex either.  It stays pretty basic, which is fine.  It’s a pretty song.

“Heaven Came Down” is a fun song that’s more “jazzy” than most of the other tracks.  Again, strings, for the most part, complement the piano.

Eternal Security: What's Your Position?

Do I have any Calvinist readers? If so, I’d encourage you to comment on this post. I’d be very interested to hear a persuading argument for the doctrine of eternal security.

An acquaintance of mine attends a Baptist church. He is very convinced that “once you’re saved, you’re always saved.” The funny thing is, whenever I broach the subject, he doesn’t want to argue about it. Something about not wanted to shake my beliefs. Suure... :) Anyway, I’ve never been able to get a persuading answer from him about why he (and other Calvinists) believe in this doctrine.

My church is Wesleyan Armenian. I believe the Bible gives ample evidence that a person can backslide. I know people who were saved and have backslidden. There’s a guy who recently spoke at out church. He was a Holiness preacher, but backslid and lived in sin for years. Finally he came back to the Lord in a camp meeting.

The book of 1st John is littered with verses that I believe support our view. 1st John 1:6 for example states:

If we say that we have fellowship with him, and walk in darkness, we lie, and do not the truth: 

1st John 2:1:

My little children, these things write I unto you, that ye sin not...


Obviously we are born sinners. What I am addressing today is the willful act of “sinning in word, thought, and deed” every day. I’m not some wacko that thinks a person can live his whole life without committing a single sin. But to sin every day, willful acts of rebellion, and not repent of them?

1st John 2:3:

And hereby we do know that we know him, if we keep his commandments.

We know that we know Christ if we keep his commandments, or do what he says. 1st John 2:8 is really good:

He that committeth sin is of the devil; for the devil sinneth from the beginning. For this purpose the Son of God was manifested, that he might destroy the works of the devil.


He that sins is of the devil. God came to destroy sin. How is sin compatible with being saved?

I know some people say that Christians that sin will lose their reward but will still go to Heaven. But where does the Bible support this view?

There are other passages as well. I only listed a few here. Please, I’d welcome friendly discussion over this matter. To any Calvinists out there that would be willing to support their position, I’d really be interested in what you have to say.

All scripture references in this post are from the KJV. I don’t believe it’s wrong to use other versions though. Perhaps I’ll address that issue in a separate post. :)

Legacy Five "Ask Me Why" Concept Video

Nashville, TN - After weeks of waiting, fans finally get the chance to see the official music video release of Legacy Five’s “Ask Me Why.” It is based on the true story of a woman named Patty and her daughter Hannah who converted to Christianity from Islam after accidentally showing up at a Legacy Five concert.

The video is already gaining buzz on YouTube with exponential growth in hits, comments, and shares on Facebook. L5 celebrates the release along with cover stories in both Singing News Magazine and SGN Scoops this month.

Patty Davenport Bahhur is actually featured in the video as a woman going through hardship and finding grace. Scott Fowler, lead singer, tells the story of how Patty stumbled upon the Celebration Event at the Grand Ole Opry with her daughter and looked to the group for answers. When she was given the wrong tickets to an event she thought would be the Opry show, she noticed something strikingly different about the concert. The people looked happy.

“She went on to tell me that her husband is a Muslim and that she was not accustomed to being around so many people who seemed so happy. She again said to me, ‘So you see...we're not supposed to be here. We are here by accident. This is not the Grand Ole Opry show and I don't understand why everyone around here is so happy. What is this music all about?’” Said Fowler, recalling Patty’s story, “It was then I realized that this was a divine appointment, and God was giving me an incredible opportunity to tell this lady and her daughter why we were all so ‘happy.’”

The video takes place at the Franklin Historic Presbyterian Church featuring a congregation comprised of L5 fans who volunteered to be extras. “Ask Me Why” was penned by Kenna Turner West, who made an appearance at the filming along with Jim Brady of The Booth Brothers and Les Butler of Singing News.

“L5 is great to work with,” said producer Scott Godsey of Godsey and Associates. “Throughout the filming process, I could tell that they got it. They are the real deal.”

Band members Scott Fowler, Scott Howard, Glenn Dustin, Gus Gaches, and Trey Ivies are featured at several locations throughout Franklin and Nashville, TN.

For more information about Legacy Five, visit www.legacyfive.com.

For more information about Godsey and Associates, visit www.godseyandassociates.com.

CD Review: Soul'd Out Quartet "What the World Doesn't Know"

All Things Are Possible - I don’t know…the message here seems to be saying that all things will happen, instead of all things can happen.  For example, part of the second verse says:

…You can ask, you can wish anything on your list, as long as you believe…


Obviously, just because we ask for something in faith doesn’t mean we will get it.  God isn’t Santa Clause who gives us everything on our “list.”  I’m probably being a bit too critical, but perhaps the message could be a bit clearer.

Go Out and Get Them - This song is a bit better than the last I think.  The tune is catchy.  The soundtrack is nice and has a good beat.

Since I’ve Been Saved - If you’ve always wanted to hear Southern Gospel in a classical style then this is for you.  “Since I’ve Been Saved” is set at a medium-slow pace.  It doesn’t have a whole lot of orchestration when compared to most SG numbers.  Soft violins, a very light percussion track, and jazzy piano make up most of the soundtrack.  I can just imagine hearing this music on an old movie like Mary Poppins or the Sound of Music.

That’ll Be a Great Day - We quickly move from classical to something half resembling a light rock song.  The electric guitars are extremely prominent.  We also hear a solid drum track.  The song itself isn’t that incredible, but the soundtrack sort of redeems the lack of profoundness in the lyrics.

Worthy the Lamb Is He - The intro may lead you to think that a patriotic song is right around the corner.  The percussion is the kind you’d hear in an army tune or the “Little Drummer Boy.”  It’s a fairly light ballad that lasts for five minutes and twenty-one seconds.  The chorus to “I Will Praise Him” makes for a nice bridge between choruses.

If You’ll Just Ask Him - This isn’t a particularly outstanding song.  The soundtrack leaves behind, in my mind, the impression of being rather very light poppish/modern/techno even though it’s not very fast.

He Is There - Rather memorable of the last song, even though the tune is much better.  The music has a pretty distinct acoustic sound.

When They Had Prayed - Finally!  A truly fast song after an intermission of about three slower tracks (granted, “If You’ll Just Ask Him” was medium-fast, but it wasn’t a foot-stomping, classic SoGo).  This is a fun song, definitely one of the strongest numbers on What the World Doesn’t Know.  Soul’d Out has a lot of songs like this.  A good number of their fast songs have a similarity to each other.

What the World Doesn’t Know - I was expecting a fast, contemporary song here, like some of the songs on Worth Every Mile.  While the song does have a progressive feel, it’s pretty tame compared to some other songs.  I was pretty surprised when I heard the words “Evolution is a myth” as the group was singing about various truths.  I applaud Soul’d Out for having the courage to sing this.  I’m sure they realize that many so-called “Christians” try to hold to the theory of evolution.  These kind of people are called “theistic evolutionists” if I remember correctly.

Thank You Lord - You might think of Brian Free & Assurance when listening here.  The song has a modern feeling during parts of the verses, due to an echoing effect.  It reminded me of a futuristic/space colony sort of soundtrack.

Comments:
What the World Doesn’t Know is definitely better than Soul’d Out’s last album, Worth Every Mile.  Still, I’m not so sure that it ranks higher than the project Blessed which had some great songs.

This is a good album, and several of the songs, especially, deserve to be heard.

CD Rating: 4 stars
Favorite Songs: What the World Doesn’t Know, When They Had Prayed
Main Styles: Modern Southern Gospel, Progressive


Digital review copy provided by Crossroads Music

CD Review: Poet Voices "Grace and Glory"

Grace and Glory - This song has a pretty distinct contemporary flavor, with a cool electric guitar track playing continuously in the background.  Even though I don’t like some progressive songs, I have to admit that this is a great one.  The other contender for first place in the “best fast song” category would be “Love of Christ.”

Get Away - Hearing the first part of the song, I wasn’t too impressed.  It has redeeming qualities though.  Not quite halfway through, the organ comes in, and then some other instruments (drums and more guitars mainly) join to harmonize with the electric guitar(s) that had previously carried the soundtrack.  The music really sounds like a soundtrack for a movie like Fireproof or Facing the Giants.

I Am Redeemed - This may be the strongest ballad on Grace and Glory.  The orchestration isn’t extremely heavy, though it does climax, especially toward the end.  The track has some great horn and string sounds.  I was elated…no, that’s too strong of a word…I was glad to hear the group sing part of another song near the end.  Another song titled “I Am Redeemed”:

I am redeemed by love divine, glory, glory Christ is mine, he’s mine!
All to him I now resign, Jesus loosed the chains of sin and set me free.


I’ll Fly Away - While I did enjoy “Grace and Glory” which had a contemporary flavor, I’m not wild over this one.  The beat, as well as the electric guitars, is a little heavy for me.  And the way they handled the verses…well, it’s just not my favorite style.  It’s okay, but not as good as the other up-tempo songs.

Jesus Built a Bridge - This isn’t a bad song, even though it may not get as much attention as some of the others.  When I listened to it for the first time, it reminded me of a part pamphlet, part book I read before.  The pamphlet depicted two cliffs, with a deep hole in between them.  On one cliff was Jesus, Salvation, eternal life, ect.  On the other side was a group that wanted to get to God.  How did they get over?  There was no bridge.  But the way to God was across the canyon (across = a cross).  A simple illustration?  Maybe, but that has stayed in my mind since I read it.  For some reason, the line that says “With only three nails and two pieces of wood”, along with the title of the song, reminded me of that pamphlet/book.

Love of Christ - This song is awesome!  I love the beat, the music, the chorus, the key change, everything!  I also enjoyed hearing part of the hymn “My Saviour’s Love,” even though the group only sang one or two lines.  It’s a great song with great lyrics.  One of the lines that caught my attention was this one:

It’s the unexplainable, uncontainable, wonderful love of Christ.


It’s the part of the song where they had to sing quickly to get everything in!

Comments:
I’ve never really listened to Poet Voices much.  Of course I’ve heard at least part of their popular song “Stepping Stones,” as well as two or three others, but for the most part I haven’t kept up with their music.  I’m glad I listened to this album though!

Even though there are only six songs, almost every one of them are awesome.  The exception, IMHO, would be “I’ll Fly Away.”  But, hey, five out six ain’t bad!  Three of them (Grace and Glory, I Am Redeemed, Love of Christ) are five-star material.  The other two (Get Away, Jesus Built a Bridge) will likely, for me at least, rate according to the mood I’m in.

If you have five extra dollars to spend, head on over to http://philcrossmusic.com/store/store-poet-voices/ and buy a digital download of Grace and Glory.

CD Rating: 5 stars
Favorite Songs: “Grace and Glory,” “I Am Redeemed,” “Love of Christ”
Main Styles: Progressive; Mild contemporary

Review copy provided by artist; a positive review was NOT required.

CD Review: Ernie Haase & Signature Sound "Here We Are Again"

Swing Low, Sweet Chariot - This song, based on the old negro-spiritual, that was originally written by Wallis Willis, comes to life with the sound of a whirring movie projector.  It’s kind of a weird rendition of the song, especially when the group switches to using “mouth instruments,” as Yankee Gospel Girl put it (read her review here).  The song goes out as it came in, with the spinning projector sound.

Singing in the Midnight Hour - The last song sounded rather like a traditional quartet song, but this one is the opposite.  The style is pretty progressive, and fast.  Doug Anderson lends his signature sound (no pun intended) to the verses.  I don’t really like the style he lends here.  He can do and has done better.  The song has a good beat, but I can’t get past the vocal work.

Here We Are Again - This first ballad (I use that term loosely) has a slow country swing to it.  The group sings very traditionally, unlike “Singing In the Midnight Hour.”  I usually don’t care for these types of songs, but this one isn’t half bad!  I like hearing Ian Owens sing the first verse.

I Believe - I don’t have much to say about this track.  It’s a fairly big ballad.  The orchestration becomes especially heavy toward the end.  I don’t really like the song itself.

I’ve Been Here Before - The intro here leads you to think that a fast number is coming (the piano takes off at a pretty fast pace).  But once we get a little ways into the introduction, that assumption proves to be wrong.  It’s actually more of a bluesy medium-tempo song, rather than a toe-tapping, barn burner.

You Are Welcome Here - This is by far the best ballad on Here We Are Again, and probably the best song altogether.  The verses speak of a man, addicted and defeated, and a girl who’s been rejected by her friends and family (they couldn’t bear the choices she had made).  The song doesn’t elaborate on the bad choices made by the two, but I think we could hazard some pretty good guesses.  The chorus says:

You are welcome here; you are precious in His sight
Whatever you’ve done wrong, His love can make it right
So leave behind your troubled past, your guilt, and all your fear
My child, you are welcome here

Love Carried the Cross - From reading other reviews of Here We Are Again, this seems to be the favorite ballad for most people.  It is a good song, but I like “You Are Welcome Here” better, perhaps since it’s a story song.  This is the biggest power number on the album.

Stand By Me - I liked the soundtrack that Signature Sound in their first version of this song better.  The chorus for this soundtrack has a great beat, but other than that, it isn’t outstanding.  It’s more traditional than most of the other fast songs.

Everytime - Ernie is like a Chihuahua on espresso during this foot-stomping, hand-clapping, head-swinger!   It’s too hyper-active for me.  Also I don’t usually like talking and screaming in songs, especially on recorded studio versions.  This song belongs more on a VeggieTales CD or DVD rather than on a Southern Gospel quartet album.  It did have some cool sound effects, like a car alarm-sounding bit, and (geese?).

Sometimes I Wonder - This medium-paced song is distinct from the others, in that it sounds very acoustic.  As I listen to it, I think of songs like “Knowing You’ll Be There” (Gaither Vocal Band) and “If You Only Knew.” (Inspirations)  The subject-matter deals with deceased friends, though the songs rarely elaborate on who the person is, whether they were a family member, spouse, ect.  This song deserves a second listen.

Thankful - The tune to this song reminds me so much of the song “We Are So Blessed” (sung by the Cathedrals and Greater Vision).  It will probably get overlooked, as it’s not a particularly outstanding song, but it is very good nonetheless.

Any Other Man - This is without argument the most progressive song that I have ever heard Signature Sound sing.  Some might argue that “Get Away Jordan” or “Singing In the Midnight Hour” would be more progressive than this one, but those are more fast and energetic than contemporary.

Comments:
It’s been over three years since Signature Sound released an album with all-new songs.  That’s not to say that haven’t had a strong album in that same number of years.  On the contrary, A Tribute to the Cathedral Quartet was very good and stayed true to the Southern Gospel style.  The last project, George Younce With EH&SS, was a disappointment though.  The group needed some strong material, especially being as popular as they are.

I am rather disappointed with Here We Are Again.  It definitely has some good songs, but the track list is rather hit and miss.  The group still needs some solid up-tempo numbers, and perhaps even a couple of more outstanding ballads.

I have to admit, there’s something for nearly everyone on this CD.  Southern Gospel fans may enjoy “Swing Low, Sweet Chariot” (I use the word “may” because as a fan of the style, I didn’t think the song was quite as “mainstream” as most quartet songs) and will like the ballads.  Contemporary and progressive fans will like “Any Other Man,” and “Singing In the Midnight Hour.”  Young fans and children should enjoy “Everytime.”

I personally have enjoyed other Signature Sound projects more, but I’ve also listened to CDs that rated about the same or worse.

If you haven't ordered the album yet, you can hear previews here to help you make up your mind.

Album Rating: 2.5-3 stars
Favorite Songs: “You Are Welcome Here,” “Thankful,” “Love Carried the Cross”
Main Styles: There are many different styles utilized during the album including Blues, Southern Gospel, Ballad, and Contemporary.  Traditional Southern Gospel fans will probably come away from the album feeling that it had a largely progressive feel.

Review copy provided by StowTown Records

Malware?

Recently, when I visit my blog from my laptop a page comes up saying that something's not right.  It says that my page could give malware to visitors if they proceed to view the page.  Here's what the warning looks like: (click to enlarge)

Has this happened to anyone else?  Please let me know, so I can work on the problem!

CD Review: Tim Duncan Solo Project

Let Your Fingers Do the Walkin’ (Through the Pages of God’s Word) - This is a medium-fast song, starting out the CD.  This is far from the strongest track, but it’s not particularly bad.  The backup singer (yes, that word is supposed to be in the singular), which I assume is Taranda Greene since she’s the only female vocalist that’s listed, is a little annoying.  I first listened to this song in the car, and thought that interference was somehow coming through the radio and playing along with the CD.  That’s how out of place she sounded.  After I realized that her voice was indeed playing from the CD, I could see how her voice fit in with the music, but her backup singing wasn’t a huge asset to the track.

Strong Hand - This is one of my favorite songs on this solo project.  It’s a soft, slow ballad.  Ryan Seaton joins Tim near the end as well as another vocalist which I can’t identify.

I’ve Never Heard a Real Love Song - Average track, with Taranda Greene helping with the chorus.  Is it just me, or does her voice here resemble Brian Free’s?

He Came Back - This is one of my favorite fast songs from this CD.  It’s not set at an extremely fast pace, but does have a slightly accelerated tempo.  I’m not sure why it‘s one of my favorites, because the lyrics aren’t incredibly profound.  But I do like the harmony, and I like the tune.

Dearest Friend I’ve Ever Had - This is one the fastest song on this album.  It’s unique because several of the backup singers, including Ryan Seaton (who takes the lead for most of the song), make up a quartet with Tim.  His voice actually isn’t that noticeable throughout much of the song, as he steps down to fill the role of a traditional quartet bass singer.

Take My Hand Precious Lord - Tim tells the story of the songwriter of this song, Thomas Dorsey, and how his wife had died giving birth to a baby who had also passed away.  As he tells the story, the piano plays softly in the background.  This proves to be the only instrument that accompanies for the song.  I love hearing Tim’s deep bass voice when he’s talking, so this track is a treat.  :)

I Will Be There - One question immediately comes to mind when you listen to this song: IS THAT TIM???  At first I thought it was one of the backup singers, perhaps Ron Fairchild or one of the others.  But one of my friends told me that, it was indeed, Tim Duncan.  For a bass singer, he sang this song extremely high.  I personally think he sounds better as a bass, but he didn’t do a horrible job when covering a higher range.  He sounds more like a CCM artist that a traditional Southern Gospel vocalist though.

Comments:
It seems that a lot of the former and current members of Signature Sound have made their own solo CDs.  Ryan Seaton has a project titled The Stage Is Bare.  Last year Doug Anderson made Dreamin’ Wide Awake.  Ernie Haase has, I believe, several older CDs.  And now Tim Duncan.  This is the first album we’ve heard from Tim, and he didn't do a bad job with it.

Looking at the CD cover leaves much to be desired.  It’s a flimsy cardboard case. (you know, kind of like the ones that the Collingsworth Family uses, and the Triumphant Quartet on Songs From the Heart, except that those are a little sturdier and have more flaps inside)  The graphic design is horrible, and the pictures are pretty bad.  It gets better though, when you take a listen to the music.

The music style that’s used throughout the whole CD is old country/old Southern Gospel.  None of the songs are progressive or rocky.  The style Tim uses is very traditional, which is a big contrast to, say, Dreamin’ Wide Awake.

I personally, don’t think I would buy this CD.  I don’t usually care for solo CDs.  I prefer quartets, trios or family groups.  This project is a little too traditional for me.  There are no progressive songs, no modern country flavored songs, no jazzy tracks, and no modern Southern Gospel styles.  While I do enjoy some traditional Southern Gospel, I think I’d rather hear the Cathedrals cover this style.

CD Rating: 3 stars
Favorite Songs: “Strong Hand,” “He Came Back”

Song List: Let Your Fingers Do the Walking, A Strong Hand, God Called Me to Sing, I Cannot Hide From God, He Came Back, I've Never Heard A Real Love Song, I Will Be Here, Lead Me to the Jordan, The Dearest Friend, Take My Hand Precious Lord

Review copy not provided

Review: Collingsworth Family "Part of the Family"

Many of you may remember that I already reviewed Part of the Family back in September.  I wasn't satisfied with that post though.  It was very non-descriptive, boring, and bad all around.  So I decided to write the review again.  Hopefully, this will be better than the last.  ;)  I have some other reviews planned such as Tim Duncan's solo CD, and perhaps Libbi Perry Stuffle's Journey, but I haven't finished these yet.  Hopefully I can post them soon!

___

God’s Family - There are several songs on this CD that don’t really stand out. This Lanny Wolf number is one of them. It’s certainly better than say, "Nothing’s Worrying Me," or "Jesus Is All I Need," but it won’t be remembered as a classic. I wish that the producers had decided to include the chorus "Family of God" in this arrangement, but for some reason (perhaps partly due to time concerns) they left it out.

That’s the Place I’m Longing to Go - This song is for those that enjoy mellow, acoustic numbers. It’s sort of comforting, not fast or rocky in the least. It even showcases the family singing part of the chorus in accapella style. It’s maybe not the strongest ballad on the CD, but it’s good nonetheless.

Joy Unspeakable - Written by Bill and Gloria Gaither, this is a brassy up-tempo number. You could compare this to “Not the Same” on the 2007 release We Still Believe. This song isn’t incredibly well-done IMO, but it‘s not a bad song.

Jesus Is All I Need - I enjoyed this song better when I saw it performed live at a Collingsworth concert. When simply listening to it, it tends to drag on. It’s a very slow Caleb Collins/Wayne Haun melody. Kim is highlighted during most of the verses. Part of the song “He’s All I Need” is sung at the end.

Nothing’s Worrying Me - Brooklyn leads this jazzy number, and the family provides backup vocals. The lyrics could be loosely compared to those in “I Know” from the 2009 The Answer release. This song isn’t a very strong one. I don’t particularly like the style in which Brooklyn sings.

Tell the Mountain - Phillip takes the lead on this country-flavored number and is joined by his sisters for part of the second verse. Some great power singing is featured at the end of the second verse. This is the strongest up-tempo song on the CD with perhaps the exception of “Just Another Rainy Day.”

I Pray - This is another acoustic ballad, which showcases the youngest member of the family, Olivia. It’s already been said that Olivia has proven herself as a capable vocalist. This is a valid statement. Although her voice isn’t as mature as her sisters or her mom, she still is able to hold her own.

At Calvary - This is a beautiful rendition of the well-known hymn “At Calvary,” which was written by Marty Millikin. The music is pretty light at the beginning, but by the end turns into a power ballad. The first verse highlights what sounds like the whole family, the second verse showcases Kim and the older girls, the third is handled by Phillip (he’s joined by Brooklyn and Courtney), and the fourth is, again, the whole family. This is one of the best ballads on the CD, and will surely be enjoyed.  The soundtrack alternates between soft light music with minimal orchestration to huge power ballad.

I Found It All - Courtney leads this song, while Phillip and Brooklyn provide back-up singing. It’s another beautiful ballad that has softer music and a great message. The chorus says:

I found it all, when I lost everything and gave my life to serve a risen king
I found the truth that I’d been searching for, I found it all when I found the Lord

Just Another Rainy Day - This is probably the most fun up-tempo song on Part of the Family. This is also the Collingsworth’s most progressive, rocky song to date. Phillip sings the first verse, and his sisters take over for the second. I believe I’ve read that this was formerly sung by LordSong and the Crabb Family.

Praise You - This song has comparatively soft orchestration and moves along at a medium pace. If I remember correctly, it’s a relatively obscure Gaither melody, one that’s deserving of attention when sung by the Collingsworth Family. The only other recorded version of this song that I own was sung by the Reflection Trio on their The Anchor Holds album. This version is better, both musically and vocally.

Resurrection Morn - Once again the Collingsworth have come off with an excellent power ballad. “Resurrection Morn” is beautifully orchestrated and is arguably the best down-tempo number on Part of the Family. The family’s early ballads weren’t incredible, but somehow in their recent albums they have found a way to create multiple winners in the power ballad category.

Comments:
The Collingsworth Family is an excellent family group, IMO, one of the best groups in Southern Gospel music. Every one of the children, from Brooklyn to Olivia, have proven themselves as capable singers. They didn’t disappoint their fans with this release. While I do have a couple of criticisms after listening to the whole thing, it’s still an excellent album that has many outstanding songs.

I would have liked to see a stronger up-tempo number in place of “Joy Unspeakable,” and I also would have liked to hear at least one piano solo (I’m glad though that they didn’t have a lot of instrumentals though) As one blogger said, (and I paraphrase), “who wants to hear instrumentals when you have these kinds of voices?”

Although I really enjoyed a lot of the songs from the Collingsworth Family’s last CD The Answer, and might have to say that was a stronger album as a whole, I would recommend Part of the Family as one of the best CD releases of 2011. And when you see some of these songs performed live…well, it’s a wonderful experience.

CD Rating: 4-4.5 stars
Favorite Songs: Tell the Mountain, Just Another Rainy Day, I Found It All, Resurrection Morn, At Calvary

Concert Review: Collingsworth Family - 12/30/11

On December 30, 2011, the Collingsworth Family performed a free concert at Faith Memorial Church in Lancaster Ohio.  I was privileged to attend this concert.  It was the first professional Southern Gospel performance that I’ve attended where I was able to stay for the whole thing, and it was well worth the time to attend!  The family sang a lot of songs from their latest album, Part of the Family, as well as a couple of songs from their last CD The Answer.  Phil and Kim even played an instrumental from the 2007 release We Still Believe.  Here’s the song list (not in order):

• At Calvary
• How Majestic is Your Name/Shout to the Lord (Instrumental)
• Swingin’ and Marchin’
• Tell the Mountain
• Joy Unspeakable
• I Pray
• I Know
• Power in the Blood/No One Ever Cared For Me (Instrumental)
• I Found It All
• Fear Not Tomorrow
• To God Be the Glory (Instrumental)
• Jesus Is All I Need
• Offertory Christmas Song (Can’t remember which song!)
• Joy, Joy, Unspeakable Joy
• Joshua Fought the Battle of Jericho (shortened version; instrumental)
• Another Christmas song (again, I can’t remember which one!  O Holy Night maybe?)
• Tchaikovsky Nutcracker Suite (Instrumental)
• Just Another Rainy Day
• That’s the Place I’m Longing to Go
• Resurrection Morn
• Hallelujah Chorus (Instrumental)

We got our choice of seats (a few rows from the front) because we arrived over an hour early.  The wait, of course, was very long, but it was worth it to get excellent seating arrangements.  The Collingsworth started off with “At Calvary,” a song from their latest release, Part of the Family.

The concert was over two hours long, which gave the family ample time to perform songs from their latest CD as well as some from older projects.  Immediately following Kim’s offertory (I can’t remember what the song was now, but it was a Christmas melody) the family sang a song I have never heard of them singing before, “Joy, Joy, Unspeakable Joy.” (NOT “Joy Unspeakable” from Part of the Family)  It was beautifully orchestrated and sounded rather like something that would be on the Greater Vision Hymns of the Ages CD.  They performed this song excellently, and IMO, one of the better songs that they sang that night.

In a surprise move, Phil decided to have Kim play part of Tchaikovsky’s “Nutcracker Suite.”  OK, maybe that doesn’t sound so interesting.  The part that made it fun was that Phillip pulled a chair onto the middle of the stage, sat down and closed his eyes, and mimed playing the song instead of his mom.  Of course you have to see it to truly appreciate it, but it was hilarious to witness.

One thing I appreciated was the genuineness of the family during the performance.  They seemed like they were for real.  And they seemed to truly believe what they were singing.  The kids weren’t hesitant to raise a hand when a song spoke to them, and Phillip especially seemed to be touched by some of the slower numbers.  Obviously people can act spiritual, but while they did have fun doing some of the up-tempo songs, they didn’t seem to be just putting on a show.  You could very easily feel the presence of God while Kim played “To God Be the Glory,” and afterwards as she told of her husband’s brain surgery and the conflicting emotions that they felt leading to the operation.  She also told the story of her wayward niece who got saved after her cousins prayed and fasted for 48 hours.  It was a wonderful testimony to what God can do.

Also, besides the genuineness of the family, they made the performance seem unique.  It didn’t feel planned (Phillip’s pianist imitation for example), or like something that they just had to do for two hours every night.  It felt “special,” like it was something planned just for that crowd.

One of my favorite songs of the night (there were others, but this was one of my favorite up-tempo numbers) was “Just Another Rainy Day.”  I enjoyed seeing it performed live more than just hearing it on my computer or MP3 player.  There were some differences vocally that I think were an improvement to the song.

Brooklyn and Courtney played two songs on their violins, “Power In the Blood,” and “No One Ever Cared For Me Like Jesus.”  I usually don’t care for the violin solos (when watching the DVDs for example), but the girls did an amazing job that night.

One thing that I also appreciated is that the kids got a chance to talk.  Usually Phil does all the talking, and Kim might say a thing or two.  While Phil did do most of the talking in between songs, he had all the kids (with the exception of Olivia) talk while he introduced them.  This was a smart move, as it gives more personality to the kids and shows people what they sound like when they’re not singing.

In the way of complaints, the main sanctuary lights were left on during the whole concert.  I think the performance would have perhaps been enhanced had they been turned off, but I got used to them as the night went on.  Another surprise was that Phil Collingsworth had decided to grow a full mustache.  I actually think he looks better without it, but once you get used to it, it’s not a big deal.  The other major complaint is that, in typical concert fashion, the music was much too loud in certain places, especially when the whole family was singing a power ballad.

The Collingsworth gave an excellent performance and it was a delightful evening.  I would whole-heartedly recommend a Collingsworth concert to anyone who likes Gospel music.